“Perceptions and Their Mutability” in Siri Hustvedt’s Works

Authors

  • Diana Wagner Philipps University Marburg

DOI:

https://doi.org/10.5283/copas.274

Keywords:

Siri Hustvedt, Perception, Gender, Visual Arts, Body, Interdisciplinarity, Intersubjectivity

Abstract

This essay investigates how literature can provide insights into the ways human beings perceive the world and themselves. I discuss how Siri Hustvedt uses her fiction and nonfiction to explore questions of visual perception, focusing on its connection to perspective, embodied self, and context. I demonstrate that, being an intersubjective concept, perception in Hustvedt’s writings is always in flux and shaped by the “embodied minds.” The tracing of the mechanisms involved in perception provides insights into Hustvedt’s novels’ narrative unraveling and a key to understanding her characters.

Author Biography

Diana Wagner, Philipps University Marburg

Diana Wagner is working on her PhD thesis with a preliminary title Seeing and Perceiving: Instersubjectivity, Gender Politics, and Masks in Siri Hustvedt’s Works“ under the supervision of Prof. Dr. Carmen Birkle. Her field of interests includes the relationship between fiction and the visual arts, intermediality, questions of perception, vision, and gender, transdisciplinary approaches to literature.

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Published

2017-07-06

How to Cite

Wagner, Diana. “‘Perceptions and Their Mutability’ in Siri Hustvedt’s Works”. Current Objectives of Postgraduate American Studies, vol. 18, no. 1, July 2017, doi:10.5283/copas.274.

Issue

Section

Articles