"Computer-generated history": Zur paradoxen Dualität von Populärkultur und Zeitgeschichte in Jon Haddocks Screenshots

Reinhard Prosch

Abstract


Jon Haddock's body of work is not only a skillful exploration into the realm of the creative possibilities of Computer-generated Imagery, but also a provocative contemplation on contemporary America. Through a comprehensive analysis of Haddock's series of images entitled Screenshots, this essay argues for an integration of computer and video game culture into the academic discourse of American Visual Culture studies.

Full Text:

HTML

Refbacks

  • There are currently no refbacks.