Psychosis and Capture: Lacanian Individuation in Don DeLillo’s Falling Man
Abstract
This essay explores mechanisms of individuation in Don Delillo’s Falling Man, placing it in conversation with Jacques Lacan’s ideas of ego-formation. It argues that the difference in Falling Man’s two protagonists’ individuations holds the key to understanding Falling Man’s critique of the post-9/11 subject condition.
Keywords
Falling Man; Don DeLillo; Individuation; Jacques Lacan; September 11
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PDFDOI: http://dx.doi.org/10.5283/copas.243
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