Waging a Visual War on Poverty: President Lyndon B. Johnson in Appalachia
AbstractThe article investigates how press photographs shaped poverty discourses in the historical context of the War on Poverty. Using a picture of President Lyndon B. Johnson and a presumably poor woman as a case study, it examines how iconographic elements and the visualized rhetorical pattern of the American jeremiad serve to situate the poor within dominant middle-class ideologies.
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