"Computer-generated history": Zur paradoxen Dualität von Populärkultur und Zeitgeschichte in Jon Haddocks Screenshots

Authors

  • Reinhard Prosch

DOI:

https://doi.org/10.5283/copas.82

Abstract

Jon Haddock's body of work is not only a skillful exploration into the realm of the creative possibilities of Computer-generated Imagery, but also a provocative contemplation on contemporary America. Through a comprehensive analysis of Haddock's series of images entitled Screenshots“, this essay argues for an integration of computer and video game culture into the academic discourse of American Visual Culture studies.

Author Biography

Reinhard Prosch

Reinhard Prosch studied political science, European law and American studies at the Ludwig-Maximilians-University of Munich and the University of Copenhagen. He is currently working toward his M.A. degree. His research interests include: conflict theory, global governance, the American self-image and national myths in political and religious terms, new media and film studies in particular.

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How to Cite

Prosch, Reinhard. “‘Computer-Generated history’: Zur Paradoxen Dualität Von Populärkultur Und Zeitgeschichte in Jon Haddocks Screenshots”. Current Objectives of Postgraduate American Studies, vol. 6, Mar. 2012, doi:10.5283/copas.82.

Issue

Vol. 6 (2005)

Section

Articles

License

Creative Commons License

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution (CC BY) 4.0 License that allows others to share the work with an acknowledgment of the work’s authorship and initial publication in this journal.