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The logo shows a network consisting of an irregular grid of purple nodes of different sizes and the word "copas" written in red letters. The word "copas" is located slightly to the right and the top of the center; the purple nodes are scattered about above, below, and to the left of the word. Light grey lines connect the purple nodes and red letters. To the right of the logo, the acronym copas is spelled out in red letters: Current Objectives of Postgraduate American Studies.
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  1. Home /
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  3. Vol. 8 (2007)

Vol. 8 (2007)

Published: 2012-03-27

Editorial

  • 'New American Studies' in Germany? Some Observations from Ground Staff

    Gunter Süß, Antje Tober
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Articles

  • "…the white women all go for sex": Discourses of Gender, Race, Ethnicity in the American Woman’s Rights Movement, 1869

    Michaela Bank
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  • The Spectacle of the Other: Representations of Chinatown in Michael Cimino’s Year of the Dragon (1985) and John Carpenter’s Big Trouble in Little China (1986)

    Selma Siew Li Bidlingmaier
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  • Battleground Masculinity: Gendertroublers and Gatekeepers in Oliver Stone's Platoon (1986)

    Christina Judith Hein
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  • "The Tiger's Eyes Are Like My Own": Depictions of Japaneseness in Contemporary American Movies

    Iris-Aya Laemmerhirt
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  • "The Tube is Flickering Now": Aesthetics of Authenticity in Good Night, and Good Luck

    Sina Nitzsche
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  • "Yo-ho, A Pirates Life For Me" – Queer Positionalities, Heteronormativity, and Piracy in Pirates of the Caribbean. A Queer Reading.

    Heike Steinhoff
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  • George Gustav Heye and the National Museum of the American Indian - Collecting the Collector

    Andrea Zittlau
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ISSN: 1861-6127

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