Issue | Title | |
Vol 16, No 2 (2015): The End as Enjambment | A Voluntary End of Earth. Melancholia and Jean Améry | Abstract PDF |
Sebastian Thede | ||
Vol 14, No 2 (2013): Sentiment | Aesthetics of Concern: Art in the Wake of the Triple Disaster of North-Eastern Japan and Hurricane Katrina | Abstract PDF |
Line Marie Marie Thorsen | ||
Vol 16, No 1 (2015) | African American Narratives of Captivity and Fugitivity: Developing Post-Slavery Questions for Angela Davis: An Autobiography | Abstract PDF |
Paula von Gleich | ||
Vol 20, No 2 (2019): White Supremacy in the United States and Beyond | Afterword: "Nothing Can Be Changed until It Is Faced" | Abstract PDF |
Christine Vogt-William | ||
Vol 10 (2009) | Ambiguity and the Ethics of Reading Race and Lynching in James W. Johnson’s The Autobiography of an Ex-Colored Man (1912) | Abstract HTML |
Carmen Dexl | ||
Vol 10 (2009) | An Event “Like a Movie”? Hollywood and 9/11 | Abstract HTML |
Christina Rickli | ||
Vol 17, No 1 (2016) | Analyzing the Network of Traumas in Colum McCann’s Let the Great World Spin | Abstract PDF |
Maartje Koschorreck | ||
Vol 11 (2010) | Arbitrary Ruptures: The Making of History in Michael Chabon’s The Yiddish Policemen’s Union (2007) | Abstract HTML |
Birte Otten | ||
Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies | Artist's Statement and Poems | Abstract PDF |
Laura E Passin | ||
Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies | Artist's Statement and Poems | Abstract PDF |
Kenny Fries | ||
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