Issue | Title | |
Vol 11 (2010) | “A Lynching in Blackface”: The Representation of History and Fantasies of Black Male Violence in John E. Wideman’s The Lynchers | Abstract HTML |
Carmen Dexl | ||
Vol 17, No 1 (2016) | “But cutting off the Scalps of the Ten Wretches”: Reading Hannah Dustan’s Captivity Narrative through the Body | Abstract PDF |
Veronika Hofstätter | ||
Vol 12 (2011) | “Confusions about the place and the way in which I grew up”: Place and Knowledge in Joan Didion’s Memoir Where I Was From | Abstract HTML |
Alexandra Wagner | ||
Vol 17, No 2 (2016): Women and Medicine in American Literature and Culture | “Do You Know” of the Conflict of Having a Family and Career as a Female Surgeon? The Representation of Cristina Yang in ABC’s Grey’s Anatomy | Abstract PDF |
Barbara Biederer | ||
Vol 14, No 2 (2013): Sentiment | “Free but not Equal”: In the Wake of Trayvon Martin—American Anger and Visual Activism | Abstract PDF |
Imani Wadud | ||
Vol 20, No 1 (2019) | “Here They Come to Save the Day” – The New Sincerity in 1990s American Superhero Comics | Abstract PDF |
Rafael Alves Azevedo | ||
Vol 13 (2012) | “I was a stuffed toucan”: Poetic Self-Positioning in Robert Lowell’s Life Studies | Abstract PDF |
Eva Brunner | ||
Vol 11 (2010) | “I won’t always ask”: Complicating Agency in Octavia Butler’s Fledgling | Abstract HTML |
Florian Bast | ||
Vol 15, No 1 (2014) | “John Birch Blues”: The Problematization of Conspiracy Theory in the Early Cold-War Era | Abstract PDF |
Katharina Thalmann | ||
Vol 17, No 1 (2016) | “Modern Medicine Had to Start Somewhere:” Performing Health and White Privilege in The Knick | Abstract PDF |
Claudia Trotzke | ||
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