| Issue | Title | |
| Vol 7 (2006) | Hans J. Massaquoi’s Destined to Witness as an Autobiographical Act of Identity Formation | Abstract HTML |
| Alexandra E. Lindhout | ||
| Vol 17, No 1 (2016) | Hawthorne and Antebellum Theories on Hereditary Insanity | Abstract PDF |
| Maria Kaspirek | ||
| Vol 1 (2000) | History and Storytelling: Historical Narratives by Women Authors of the Contemporary American South | Abstract PDF |
| Susanne Rothaug | ||
| Vol 9 (2008) | How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006) | Abstract HTML |
| Sascha Pöhlmann | ||
| Vol 1 (2000) | How to Author a Walk: Henry David Thoreau’s and Mary Austin’s Regional Narratives of Environmental Learning | Abstract PDF |
| Heike Schäfer | ||
| Vol 13 (2012) | Humor and Ambivalence in the Novels of Toni Morrison | Abstract PDF |
| Silvia Chirilă | ||
| Vol 11 (2010) | Hunger and Self-Fashioning in Richard Wright’s Black Boy and Knut Hamsun’s Sult | Abstract HTML |
| Daniel Rees | ||
| Vol 17, No 1 (2016) | "I Believe in Nothing If Not in Action": African American Humanism and (Embodied) Agency | Abstract PDF |
| Alexandra Hartmann | ||
| Vol 11 (2010) | In a Time-Warp: The Issue of Chronology in Siri Hustvedt’s The Blindfold | Abstract HTML |
| Christian Knirsch | ||
| Vol 11 (2010) | Inherent Defeatism in Barry Hannah’s “The Agony of T. Bandini” and “Uncle High Lonesome” | Abstract HTML |
| Julia Merkel | ||
| Vol 7 (2006) | Interkulturelle Hochschullehre: Internationalisierungsstrategien am Beispiel des Fachs Amerikanistik | Abstract HTML |
| Uwe Küchler | ||
| Vol 14, No 1 (2013) | "Lose Yourself": Narrative Instability and Unstable Identities in Black Swan | Abstract PDF |
| Stefan Schubert | ||
| Vol 19, No 1 (2018) | Luke Cage as Postpost-9/11 TV: Spatial Negotiations of Race in Contemporary U.S. Television | Abstract PDF |
| Lea Espinoza Garrido | ||
| Vol 17, No 1 (2016) | Making a Fun Home: The Performance of Queer Families in Contemporary Musical Theater | Abstract PDF |
| Florian Weinzierl | ||
| Vol 17, No 1 (2016) | Making the Unspeakable Seen? Trauma and Disability in David Small’s Stitches | Abstract PDF |
| Gesine Wegner | ||
| Vol 7 (2006) | Members of the Tribe: Jewish-Amerindian Theory and the Making of a Modern American Consciousness | Abstract HTML |
| Julia Cohen | ||
| Vol 15, No 1 (2014) | Multiplying Perspectives through Text and Time: Jamaica Kincaid's Writing of the Collective | Abstract PDF |
| Antonia Purk | ||
| Vol 6 (2005) | Narrative Strategien in der TV-Serie Desperate Housewives | Abstract HTML |
| Marion Fuchs | ||
| Vol 14, No 2 (2013): Sentiment | New Mexico’s Faustian Bargain with Science: Balancing Pride, Greed and Fear | Abstract PDF |
| Lucie Genay | ||
| Vol 1 (2000) | Now You See Me, Now You Don't: Fanny Fern's Private Theatricals in Ruth Hall: A Domestic Tale of the Present Time (1854) | Abstract PDF |
| Dietrich Harer | ||
| Vol 15, No 1 (2014) | Of “Half-Rembered Dream[s]” and “Unanswered Myster[ies]”—The Trope of Trauma in Inception and Alan Wake | Abstract PDF |
| Stefan Brasse | ||
| Vol 19, No 1 (2018) | On Doing American Studies Today: The 2017 Postgraduate Forum | Abstract PDF |
| Jiann-Chyng Tu, Helen Gibson, Anne Potjans, Simon Rienäcker | ||
| Vol 7 (2006) | Performing Resistance: Contemporary American Performance-Activism | Abstract HTML |
| Pia Wiegmink | ||
| Vol 15, No 1 (2014) | Political Appropriations and the Construction of the Jefferson Icon in the United States Congress, 1934-1943 | Abstract PDF |
| Caroline Heller | ||
| Vol 16, No 1 (2015) | Political Power in the Mirror of Mass Media Constructions: The Function of Televised Debates in the U.S. Presidential Election | Abstract PDF |
| Laura Vorberg | ||
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