|
Issue |
Title |
|
Vol 14, No 1 (2013) |
“We don’t want life to look difficult, do we?”: Representations of the Fifties and Self-Reflexive Nostalgia in Mad Men |
Abstract
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|
Eleonora Ravizza |
|
Vol 12 (2011) |
“Welcome to Our Home!”: Staging Practices at Louisa May Alcott’s Orchard House |
Abstract
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|
Klara Stephanie Szlezák |
|
Vol 20, No 1 (2019) |
“Whose Tomorrow is Tomorrow?”: Remembering (Past) Futures in Autobiographical Writings of the US-Nicaragua Solidarity Movement and Contra War, 1979-1991 |
Abstract
PDF
|
Verena Baier |
|
Vol 15, No 1 (2014) |
“You ought to stop trying because you had too many birthdays?” – Heroic Male Aging in the Rocky Films |
Abstract
PDF
|
Nina Schnieder |
|
Vol 8 (2007) |
"…the white women all go for sex": Discourses of Gender, Race, Ethnicity in the American Woman’s Rights Movement, 1869 |
Abstract
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|
Michaela Bank |
|
Vol 16, No 1 (2015) |
Barack Obama, Europe and the Transatlantic Relationship: From the World’s White Knight to the Spy that Came in from the Cold? – A German Perspective |
Abstract
PDF
|
Sarah Nike Makeschin |
|
Vol 17, No 1 (2016) |
Bargaining for Prestige in the Hide/Seek Exhibition: The Ambiguous Relationship between Economic and Non-Economic Capital and Its Effects |
Abstract
PDF
|
Wiebke Kartheus |
|
Vol 8 (2007) |
Battleground Masculinity: Gendertroublers and Gatekeepers in Oliver Stone's Platoon (1986) |
Abstract
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|
Christina Judith Hein |
|
Vol 17, No 2 (2016): Women and Medicine in American Literature and Culture |
Bearing Independence: The Concept of Social Childbirth in Martha Ballard's Life Writing |
Abstract
PDF
|
Bettina Huber |
|
Vol 1 (2000) |
Between Earth Science and Language/Writing Imagery: How to Render the Workings of Memory in Anne Michaels' Fugitive Pieces |
Abstract
PDF
|
Fabienne C. Quennet |
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