| Issue | Title | |
| Vol 1 (2000) | Postmodernism.com: A Polemic | Abstract PDF |
| Christian S. Berkemeier | ||
| Vol 14, No 1 (2013) | Present Women/Absent Men in Siri Hustvedt’s The Summer without Men (2011) | Abstract PDF |
| Britta Bein | ||
| Vol 15, No 1 (2014) | Previously on the Quality Debate: Serialization and the Continued Practice of Cultural Hierarchization | Abstract PDF |
| Janina Rojek | ||
| Vol 7 (2006) | Pro-abstinence Discourses and the Definition of the Conservative Christian Identity in the Contemporary United States | Abstract HTML |
| Claire Greslé-Favier | ||
| Vol 16, No 2 (2015): The End as Enjambment | Psychosis and Capture: Lacanian Individuation in Don DeLillo’s Falling Man | Abstract PDF |
| Nikhil Jayadevan | ||
| Vol 11 (2010) | Ralph Waldo Emerson versus Cormac McCarthy: The Annihilation of Emerson’s Values in McCarthy’s The Road | Abstract HTML |
| Nora Kestermann | ||
| Vol 18, No 1 (2017) | Reading Time Travel in Octavia E. Butler’s "Kindred" as Sankofa | Abstract PDF |
| Alena Cicholewski | ||
| Vol 10 (2009) | Reflexivity and (Ex-)Change: New Perspectives from the Postgraduate Forum for German Americanists | Details HTML |
| Christina Oppel, Anna Rapp, Anna Thiemann | ||
| Vol 15, No 1 (2014) | Remembering through Retro TV and Cinema: Mad Men as Televisual Memorial to 60s America | Abstract PDF |
| Debarchana Baruah | ||
| Vol 18, No 1 (2017) | Resisting Xenophobia: Transatlantic Mobility and Aleksandar Hemon’s Immigrant Autobiography The Book of My Lives | Abstract PDF |
| Elvira Bolanca-Lowman | ||
| Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies | Revolution and Cure: Molyneux’s Problem, Denis Diderot’s Letter on the Blind, and Royall Tyler’s The Algerine Captive | Abstract PDF |
| Andrew Sydlik | ||
| Vol 13 (2012) | Re-writing ‘Woman’: New Woman Hybridity in Araki Iku’s “The Letter” and Charlotte Perkins Gilman’s “Turned” | Abstract PDF |
| Carrie Khou | ||
| Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies | Scars for Life(s) | Abstract PDF |
| Jessica Suzanne Stokes | ||
| Vol 18, No 1 (2017) | Seeds of a Future World: Science and Technology in the Digital Art of Elizabeth LaPensée | Abstract PDF |
| Kristina Baudemann | ||
| Vol 16, No 2 (2015): The End as Enjambment | Seeing Through the End Time: From Lord Byron’s “Darkness” to The Dark Mountain Project | Abstract PDF |
| Jessica MacQueen | ||
| Vol 4 (2003) | "Sex in Bed or Sex in the Head?" - A Transatlantic Love Affair | Abstract HTML |
| Anja Becker | ||
| Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies | Sharing Autism Through Metaphors. (Dis)ability, Difference and Diversity in Temple Grandin’s Portrayals of Autism. | Abstract PDF |
| Marion Schmidt | ||
| Vol 12 (2011) | Shifting Spaces in the Critical Regionalist Fiction of New England | Abstract HTML |
| Marleen Schulte | ||
| Vol 9 (2008) | Spoken Art: Amy Lowell's Dramatic Poetry and Early Twentieth-Century Expressive Culture | Abstract HTML |
| Simone Knewitz | ||
| Vol 2 (2001) | Stories of Female Initiation: Two 19th-Century Examples of Female Professional Success | Abstract HTML |
| Ina Bergmann | ||
| Vol 6 (2005) | Stuff That Happened To Me: Visuelle Verfahren in Jonathan Safran Foers Extremely Loud & Incredibly Close (2005) | Abstract HTML |
| Wanda Jakob | ||
| Vol 6 (2005) | Susan Sontag: Photocritic | Abstract HTML |
| Michael Netsch | ||
| Vol 1 (2000) | "The Best Way to Explain It Is to Do It": Ida Cannon and the Professionalization of Medical Social Work During the Progressive Era and the 1920s | Abstract PDF |
| Anette Bickmeyer | ||
| Vol 15, No 1 (2014) | The Black Male as Ancestor in John Edgar Wideman’s The Homewood Trilogy | Abstract PDF |
| Mahmoud Refaat Mahmoud | ||
| Vol 1 (2000) | The Blithedale Neuromance | Abstract PDF |
| Bruno Arich-Gerz | ||
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