|
Issue |
Title |
|
Vol 1 (2000) |
Postmodernism.com: A Polemic |
Abstract
PDF
|
Christian S. Berkemeier |
|
Vol 14, No 1 (2013) |
Present Women/Absent Men in Siri Hustvedt’s The Summer without Men (2011) |
Abstract
PDF
|
Britta Bein |
|
Vol 15, No 1 (2014) |
Previously on the Quality Debate: Serialization and the Continued Practice of Cultural Hierarchization |
Abstract
PDF
|
Janina Rojek |
|
Vol 7 (2006) |
Pro-abstinence Discourses and the Definition of the Conservative Christian Identity in the Contemporary United States |
Abstract
HTML
|
Claire Greslé-Favier |
|
Vol 16, No 2 (2015): The End as Enjambment |
Psychosis and Capture: Lacanian Individuation in Don DeLillo’s Falling Man |
Abstract
PDF
|
Nikhil Jayadevan |
|
Vol 11 (2010) |
Ralph Waldo Emerson versus Cormac McCarthy: The Annihilation of Emerson’s Values in McCarthy’s The Road |
Abstract
HTML
|
Nora Kestermann |
|
Vol 18, No 1 (2017) |
Reading Time Travel in Octavia E. Butler’s "Kindred" as Sankofa |
Abstract
PDF
|
Alena Cicholewski |
|
Vol 10 (2009) |
Reflexivity and (Ex-)Change: New Perspectives from the Postgraduate Forum for German Americanists |
Details
HTML
|
Christina Oppel, Anna Rapp, Anna Thiemann |
|
Vol 15, No 1 (2014) |
Remembering through Retro TV and Cinema: Mad Men as Televisual Memorial to 60s America |
Abstract
PDF
|
Debarchana Baruah |
|
Vol 18, No 1 (2017) |
Resisting Xenophobia: Transatlantic Mobility and Aleksandar Hemon’s Immigrant Autobiography The Book of My Lives |
Abstract
PDF
|
Elvira Bolanca-Lowman |
|
Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies |
Revolution and Cure: Molyneux’s Problem, Denis Diderot’s Letter on the Blind, and Royall Tyler’s The Algerine Captive |
Abstract
PDF
|
Andrew Sydlik |
|
Vol 13 (2012) |
Re-writing ‘Woman’: New Woman Hybridity in Araki Iku’s “The Letter” and Charlotte Perkins Gilman’s “Turned” |
Abstract
PDF
|
Carrie Khou |
|
Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies |
Scars for Life(s) |
Abstract
PDF
|
Jessica Suzanne Stokes |
|
Vol 18, No 1 (2017) |
Seeds of a Future World: Science and Technology in the Digital Art of Elizabeth LaPensée |
Abstract
PDF
|
Kristina Baudemann |
|
Vol 16, No 2 (2015): The End as Enjambment |
Seeing Through the End Time: From Lord Byron’s “Darkness” to The Dark Mountain Project |
Abstract
PDF
|
Jessica MacQueen |
|
Vol 4 (2003) |
"Sex in Bed or Sex in the Head?" - A Transatlantic Love Affair |
Abstract
HTML
|
Anja Becker |
|
Vol 18, No 2 (2017): Dis-eased: Critical Approaches to Disability and Illness in American Studies |
Sharing Autism Through Metaphors. (Dis)ability, Difference and Diversity in Temple Grandin’s Portrayals of Autism. |
Abstract
PDF
|
Marion Schmidt |
|
Vol 12 (2011) |
Shifting Spaces in the Critical Regionalist Fiction of New England |
Abstract
HTML
|
Marleen Schulte |
|
Vol 9 (2008) |
Spoken Art: Amy Lowell's Dramatic Poetry and Early Twentieth-Century Expressive Culture |
Abstract
HTML
|
Simone Knewitz |
|
Vol 2 (2001) |
Stories of Female Initiation: Two 19th-Century Examples of Female Professional Success |
Abstract
HTML
|
Ina Bergmann |
|
Vol 6 (2005) |
Stuff That Happened To Me: Visuelle Verfahren in Jonathan Safran Foers Extremely Loud & Incredibly Close (2005) |
Abstract
HTML
|
Wanda Jakob |
|
Vol 6 (2005) |
Susan Sontag: Photocritic |
Abstract
HTML
|
Michael Netsch |
|
Vol 1 (2000) |
"The Best Way to Explain It Is to Do It": Ida Cannon and the Professionalization of Medical Social Work During the Progressive Era and the 1920s |
Abstract
PDF
|
Anette Bickmeyer |
|
Vol 15, No 1 (2014) |
The Black Male as Ancestor in John Edgar Wideman’s The Homewood Trilogy |
Abstract
PDF
|
Mahmoud Refaat Mahmoud |
|
Vol 1 (2000) |
The Blithedale Neuromance |
Abstract
PDF
|
Bruno Arich-Gerz |
|
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