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Issue |
Title |
|
Vol 6 (2005) |
"Computer-generated history": Zur paradoxen Dualität von Populärkultur und Zeitgeschichte in Jon Haddocks Screenshots |
Abstract
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Reinhard Prosch |
|
Vol 17, No 1 (2016) |
Constructing ‘Arab Terrorism’—The Slow Emergence of Terrorism Discourse in the United States in the 1960s and 1970s |
Abstract
PDF
|
Annika Brunck |
|
Vol 14, No 2 (2013): Sentiment |
COPAS 14.2 “Sentiment”: Editorial |
Details
PDF
|
The Editors |
|
Vol 20, No 2 (2019): White Supremacy in the United States and Beyond |
COPAS at Twenty: Interrogating White Supremacy in the United States and Beyond |
Abstract
PDF
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Cedric Essi, Samira Spatzek, Paula von Gleich, Stephen Koetzing, Gesine Wegner |
|
Vol 14, No 1 (2013) |
Corporate Power and the Public Good in Sloan Wilson’s The Man in the Gray Flannel Suit |
Abstract
PDF
|
Stefanie Mueller |
|
Vol 21, No 1 (2020) |
Creative Openings and World-Making: Postcritique, Reparative Readings, and Anzaldúa’s Borderlands |
Abstract
PDF
|
Selina Foltinek |
|
Vol 6 (2005) |
"Criticizing Americanness in 3D": Paul McCarthys F-Fort |
Abstract
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Katharina Klara Weis |
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Vol 16, No 1 (2015) |
Crusade for Justice and the Question of Authenticity in African American Autobiography |
Abstract
PDF
|
Monia Dal Checco |
|
Vol 7 (2006) |
Das doppelt verwundene ödipale Dreieck in David Lynchs Lost Highway |
Abstract
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Antje Tober |
|
Vol 10 (2009) |
Depicting ‘Natural’ Disasters in U.S.-American History and Culture: San Francisco’s City Hall as an Icon of the 1906 Earthquake and Fire |
Abstract
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Susanne Leikam |
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